Review by: Paul Towers, 03 June 2017
The Boy In The Striped Pyjamas – Northern Ballet
Curve – 2/3 June 2017
“incredibly downbeat and depressing”
Hm, OK, let’s get a few
things out of the way before we start. Is a concentrate camp in WW2 a fitting
location for a ballet? No, but that is where the story takes place so we have
no choice. Should the story be told? A resounding yes. Is ballet the ideal
medium. No.
The story itself is
incredibly downbeat and depressing. The son of the concentration camp
commandant and a young internee strike up a friendship across the barbed wire.
It is naturally frowned upon by the authorities but they surreptitiously continue
to meet. As young boys do, they wanted to be the same so the commandant’s son
dressed as the internee in the titular striped pyjamas which leads to him being
herded up with his playmate and led off to the gas chambers.
I have never seen either the
film or the play but apparently a whole lot of detail has had to be missed out.
None of which, supposedly, would add anything here.
The main problem with this
production is that the story moves along so slowly and is padded out to, ostensibly,
showcase the dancers’ undisputed technical abilities. However that makes for
boring viewing. The two 50 minute halves could quite easily have been got
through in a single hour without losing any of the story.
Death, in the shape of a
wraith-like apparition lifted straight from Game of Thrones or Lord of The
Rings, hovers over the entire story and, to be honest, I could have done with
him wiping out the entire cast after 10 minutes. In fact, during the initial
scene in the commandant’s office, surrounded by camp guards (and I do mean camp
guards), I was praying for them to burst into a chorus of Springtime For Hitler
from The Producers. How can you take seriously a troop of soldiers prancing
around in traditional ballet moves? They are hardly intimidating. They look
like a whole flock of Mirandas!
Next we come to the
soundtrack, an eclectic mix of harsh, jagged sounds to illustrate the appalling
conditions of the prisoners and the discipline of the warders, interspersed on a
couple of occasions with the gentler tones of the boys’ the interaction.
Neither makes for particularly easy listening.
The set, scenery and
lighting are used to good effect
The Boy In The Striped
Pyjamas is on tour for the rest of the year. Full details at
www.northernballet.com
First published on Western Gazette
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