A Vicar of Dibley Christmas

 

Review by Paul Towers, 13/7/26

A Vicar of Dibley Christmas – the second coming adapted by Ian Gower & Paul Carpenter
Based on the original TV series by Richard Curtis & Paul Mayhew-Archer

Directed by Nikki Favell

Produced by Leicester Drama Society

At The Little Theatre til Saturday 18^th July 2026

It may seem strange to be talking about Christmas while we are enduring yet another heat wave but, here in the air conditioned Little Theatre, The Vicar of Dibley Christmas is exactly what we need to lift our spirits.

Following on from last year’s visit to Dibley we find Alice Tinker (Kathryn Lenthall) back from her honeymoon with new husband Hugo (Keir Watson) and pregnant. As she is showing Geraldine (Kat Seddon) her holiday pictures the vicar’s mind is on other things, namely the planning of the annual Dibley Christmas Show.

As is to be expected the various members of the parish council all have different ideas about how to spice up the event. Owen Hewitt (Jordan Handford) has his usual inappropriate suggestions, Jim Trott (Ian Carr) makes little sense, Letitia Cropley (Elizabeth Spendlove) knits and Frank Pickle (Nic Adams) dithers. Trying desperately to maintain order David Horton (David Lovell) only serves to alienate everyone. Watch out for a surprise cameo from Tabitha Fogg

The first half lovingly combines snippets from many episodes of the beloved TV series to keep the audience laughing from the get go. The second half is when the chaos really kicks in as the night of the Christmas Show looms.

With the entire original cast from last year (plus Nic Adams) this is a wonderfully comfortable show to watch. It is obvious the team work well together and director Nikki Favell, back in charge again, has great fun with the script. Once again every cast member has the impersonations off pat.

A Vicar of Dibley Christmas is at The Little until Saturday 18^th July. Grab a ticket and enjoy the familiar warmth of this evening of laughter and love.

Pics: Poyner & Mee Photography

https://thelittletheatre.co.uk/

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Anything Goes

 

Review by Paul Towers, 1/7/26

Anything Goes by PG Wodehouse, Guy Bolton, Howard Lindsay & Russel Crouse
Music & lyrics by Cole Porter

Directed and choregraphed by Lee Proud

Produced by Celia Mackay for Kilworth House Theatre

At Kilworth House Theatre til Sunday 2 August 2026

Anything Goes is just about the perfect American musical. It has a daft farcical plot, is jam packed with hummable Cole Porter songs and enough tap dancing to make your ankles swell in sympathy.

Set on a cruise liner sailing from New York to London (great Art Deco set design by Phil Witcomb), the SS American is home to a very mixed bag of passengers. Nightclub singer Reno Sweeney (Emily-Mae in fine voice and with a great sense of comedy) is onboard along with her backing singers, debutante Hope Harcourt (Megan Gardiner) is with her fiancé Lord Evelyn Oakleigh (Tom Hopcroft) and her mother Evangeline Harcourt (Penelope Woodman). Billy Crocker (Richard Carson) is assistant to Wall Street banker Elisha Whitney (Thomas Sutcliffe) but has stowed away onboard to try and win Hope’s heart. To this end he has to disguise himself. Moonface Martin (Dougie Carter) aka “Public Enemy No. 13” causes all sorts of trouble as he sneaks around while his ‘associate’ Erma (Sophie Naglik) turns all the sailors’ heads with a promise of fun and games below decks.

Trying to keep some sort of order on the liner is The Captain (Robert McNeilly).

As with all good musicals the first half is taken up with creating the chaos that is resolved in the second half. Along the way there is comedy, farce, great dancing and glittering costumes.

For those of us of a certain vintage and a keen interest in musical theatre/films the Cole Porter score is enough to turn us to jelly. But add into that the iconic show stopping first half finale of the Anything Goes tap routine and I am in musical theatre heaven.

The score for the second half is full of less well-known Porter songs but no less hummable for that.

Staged under the marquee of the Kilworth House Outdoor Theatre on a balmy July evening this is the perfect antidote to today’s troubles. Grab a ticket while you can.

The whole production is de-lovely and is a very welcome return for resident director/choreographer Lee Proud.

Pics: Fox Corporate Photography

Anything Goes

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The Incident Room

 

Review by Paul Towers, 10/11/25

The Incident Room by Olivia Hirst and David Byrne

Directed by Jake Leonard

Produced by Leicester Drama Society

At The Little Theatre til Saturday 27^th June 2026

In 1975 West Yorkshire Police in Leeds had the unenviable task of trying to hunt down the killer ultimately labelled The Yorkshire Ripper, Peter Sutcliffe.

Calling on the wealth of paperwork, interviews and records of the hunt Incident Room attempts to highlight the many failures of the police that led to 13 women being murdered and a further 7 attempted murders. Sutcliffe was eventually caught but who knows if the tally of victims is more?

In hindsight so many red herrings were chased, the media was mishandled and hoaxes were given unwarranted credence. Of course by modern computerised standards they were in the Stone Age and relying on paper and index files. It is no wonder things were missed.

The ensuing 6 years of the investigation are played out by a creative cast. Leading the narrative is DS Megan Winterburn (Natasha Carr) who, new to her rank, is constantly fighting the misogynistic boy’s club that is CID at the time. He is up against her superiors in the shape of Dick Holland (Andy Longley-Brown) and George Oldfield (Matt Evans). Jim Hobson (Russell Hughes) is another prehistoric chauvinist who dismisses Megan’s expertise.

Over on the desk at the other side of the office is Sylvia Swanson (Jane Towers) who is far too long in the tooth to put up with the laddish banter.

Newly promoted from PC to Detective Andrew Laptew (Joe Allen) is largely ignored by most of his colleagues but still manages to finally make the connection between Sutcliffe and the murders.

While the production rightly avoids glorifying any of the Ripper’s exploits and also neatly steers way from causing the dead girls’ relatives further anguish by dwelling on their appalling injuries one survivor, Maureen Long (Natalie Tebbutt), is used to show the pain of even those who escaped Sutcliffe’s clutches.

The Press in the form of reporter Tish Morgan (Holly Matusiewicz) don’t get away scot free either as their misguided attempts to help often hindered the police’s efforts to weed out hoaxes.

As expected this is a hard watch and you are entitled to come away cursing the inefficiency of the authorities to stop Sutcliffe earlier. However the authors have managed to lighten the mood from time to time with some laughs.

Pics: Jonathan Pryke

https://thelittletheatre.co.uk/

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Curtain Up!

 

Review by Paul Towers, 16/6/26

Curtain Up! by Peter Quilter

Directed by Jo Gallagher

Produced by Leigh White for QT Theatre Group

At QT Theatre til Friday 19^th June 2026

I seem to have hit a nice hot spot of Peter Quilter plays of late. Quilter has a happy knack of writing well for women, especially older women. Curtain Up! is a show about five women who have been forced to come together to try and restore an old theatre to its former glory. This tetchy quintet have been left the dilapidated building by recently deceased Michael. His daughter Theresa (Amy Hollis) is over-excitedly optimistic and tries desperately to get everyone to get on. Which is a mammoth task when she has Michael’s widow Jackie (Sarah Johnson) and his ex-wife Pam (Cathy Rackstraw) biting verbal lumps out of each other. Theresa’s Grandmother Betty (Margaret Glenn) has a wonderful way of having sly digs while pretending innocence. Making up the fifth is Michael’s ex-secretary Sharon (Ranata Maynard) who tries to keep the peace.

All in all this typical laugh out loud Peter Quilter. He joyously brings together five women who, in their various ways, are stronger than they think as each finds their way through the mayhem of grief.

Each of the actresses give great performances on QT Theatre’s intimate stage tucked away in Syston. Although they only do two productions a year The Old Chapel has other events as well.

The Old Chapel

https://www.qttheatregp.co.uk/

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Allegra

 

Review by Paul Towers, 10/6/26

Allegra by Peter Quilter

Directed & choreographed by Stephen Mear

Produced by Thomas Hopkins Productions

At Richmond Theatre til Saturday 13^th June 2026 the continues touring.

Allegra is perfectly happy in a world soundtracked by old showtunes, often in her head but sometimes out loud, much to the annoyance of some of the locals.

Allegra (the ever fabulous Dame Maureen Lipman) is definitely a glass half full, type of gal. Her brother Ronen (Emmerdale’s John Middleton) is the permanently catastrophising glass almost empty type of guy who is forever attempting to reign in his sister’s exuberance. As she is forever getting under people’s skin and is in need, he thinks, of a calming influence, he hires a companion/help in the shape of Czech Anna (Elizabeth Bower). Despite his best efforts Ronen has to contend with regular visits from the local bobby Officer Rogers (Bailey Patrick) who Allegra rather takes a fancy to.

Allegra’s go-to method of coping with life’s little bumps and hurdles is to fantasise about old showtunes. So, on a regular basis, the lights go down, the spot comes on and she drags out her old repertoire of standards. All much to the delight of the audience (the real one).

Once again Peter Quilter has created a showcase production for one of our older actresses (Ms Lipman is 80!). His previous hits include Glorious! and Over The Rainbow. Funny how ex-Coronation Street actresses seem to fit into his writing. I look forward to seeing his next sure fire hit.

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Ken Ludwig's Baskerville

 

Review by Paul Towers, 8/6/26

Ken Ludwig’s Baskerville

Directed by Ruth Cheetham

Produced by Leicester Drama Society

At The Little Theatre til Saturday 13 June 2026

In 1901-2 renowned author Arthur Conan Doyle wrote his third Sherlock Holmes novel, The Hound of The Baskervilles. It proved such a success that it revived the Holmes character who  Conan Doyle had tentatively killed off in The Final Problem.

Set amid the spooky moors of Devon in a stately home and involving a large malevolent black dog, trying to present the story on stage in a serious manner is logistically impossible. So in 2015 American playwright Ken Ludwig created Baskerville, A Sherlock Holmes Mystery. Seemingly having taken inspiration from the stage version of Patrick Barlow’s The 39 Steps, Ludwig has written a loving homage to the Sherlock Holmes thrillers heavily laced with humour and jeopardy but with a small cast of just five (plus the Hound ably manipulated by Martin Bell & Thom Jones)

Leading the production is David Lovell as the titular Sherlock Holmes ably assisted by Charles Moss’ Dr Watson. While these two are the backbone of the story it is the incredible talents of Emma Bamford, Robin McFarland and Liz Kavanagh who bring to life the THIRTY ONE other characters. With skilful choreography, minimal costumes and a wide range of accents this trio make you believe there are dozens of cast members.

The story, as is to be expected with a Sherlock Holmes tale, is far from as straightforward as it seems at first sight. A discarded walking stick serves to introduce Dr James Mortimer to 221b Baker Street and the unveiling of a supernatural mystery involving a canine beast roaming the Dartmoor Moors. Sir Henry Baskerville, an American, has arrived in the UK to claim his inheritance but is nervous of the curse of the dog which has supposedly killed off Baskerville ancestors going back 300 years. To add to the tension on the moor a prisoner has escaped from the local prison.

As Holmes investigates he gradually discards various suspects until he has found the guilty party.

While Homes and Watson play it fairly straight it is the side characters who provide so many of the laughs, and the scenery also plays its part in raising giggles.

Ken Ludwig’s Baskerville, A Sherlock Holmes Mystery runs at The Little Theatre until Saturday 13 June 2026.

Pics: Jonathan Pryke

https://thelittletheatre.co.uk/

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An Ideal Husband

 

Review by Paul Towers, 3/6/26

An Ideal Husband by Oscar Wilde

Directed by Nicholai La Barrie

Produced by Lyric Hammersmith & Bristol Old Vic

At Lyric until 6^th June 2026

An Oscar Wilde play is guaranteed to be wickedly funny and deliciously bitchy. An Ideal Husband is all of these things BUT this production suffers from several self indulgent interventions by the director Nicholai La Barrie.

Set in so-called modern London it features a mainly black cast except for the two main leads Mrs Cheveley (Aurora Perrineau) and Viscount Goring (Jamael Westman). I have no issue with colour blind casting but several things jarred about this production. Most of the costumes were of Afo-Caribbean style (by Rajha Shakiry) and two of the characters spoke with pronounced Jamaican accents. On top of that was the excruciating soundtrack used in several places. It was completely over-the-top, loud and irrelevant. There were also the various modern references added to the script.

Wilde’s text has a rhythm all of its own and messing with the content ruins it. You wouldn’t start adding in bits to a Shakespeare and this amounts to the same thing.

That said, there are a few outstanding performances that negate the disappointments. Jamael Westman’s very camp and effete Viscount Goring is a joy, verging on drag-queenery, and probably written as Wilde dreamt of being. Emmanuel Akwafo, Mason in the first half and Phipps in the second is superbly indolent as manservant Mason and hilariously camp in the second half as Goring’s confidant. The third stand out character is Tiwa Lade’s Mabel, Goring’s protentional wife, an hilariously outrageous loud slut about town.

While there were a few jarring elements to this production, by and large you can’t completely screw up an Oscar Wilde play that has been popular for 130 years so long as you are loyal to the script.

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