Review by: Paul Towers, 06 March 2017
The Full Monty by Simon Beaufoy
A Sheffield Theatres production directed by Jack Ryder
DeMontfort Hall 6 – 11 March 2017
“The Full Monty is everything the publicity promised and
more.”
Much has been said in the media of late about disruptive audience
members. Usually this refers to those inconsiderate enough to continue using
their mobile phones during a performance, tweeting every nuance of the
production or even filming the show. But
tonight at DeMontfort Hall we were repeatedly disturbed by women getting up
during the show to go to the toilet. Does it not seem logical that if you
consume several glasses of wine before the show that your bladder will not survive a 50 minute first half? I
find it incredibly disrespectful to the actors and the other audience members
to be so selfish.
So, rant over, let me say that despite the disruptions The
Full Monty is everything the publicity promised (‘terrific’ and ‘chuffing
brilliant’) and more. Right from the moment the curtain went up we were
laughing out loud at a barrage of one-liners and awkward situations. This show
not for the faint hearted and you should be aware there is plenty of ‘language’.
Understandable when you remember this is about a group of redundant working
class labourers desperate to make some money as male strippers for a night.
The cast are nearing the end of a nationwide tour and it
shows. They are incredibly comfortable with each other and the physical comedy between
them has been honed to wring every laugh out of the many prat falls in the
wonderful script by Simon Beaufoy. Somehow the stage show is even funnier than
the film despite a few dark moments. The child playing Nathan, 12 year old Monty
Poole I think, stole every scene he was in.
The cast is led by Gary Lucy (Hollyoaks & Footballers’
Wives), Andrew Dunn (Dinnerladies) and a very hard working ensemble of 14.
The set is a suitably rusting Sheffield steel works lying
idle after work has dried up. With loads of props and various sliding panels in
the back it transforms into every scene needed. Much of the music from the
original film is included and yes, they do get to keep their hats on, at least
until the very last moment!
The audience, predominantly female and tanked up on
Lambrini, whooped and hollered everywhere they were expected to and a few extra
alcohol-fuelled places as well. This is a girls-night-out kind of show.
The Full Monty is on until Sat 11 March and there may be a
few tickets left, but don’t leave it too long before you buy. The tour
continues til April when it returns to its home, Sheffield.
www.demontforthall.co.uk
for full details.
First published on Western Gazette
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