Review by: Paul Towers, 27/01/16
Les Miserables by Alain Boublil & Claude-Michel
Schonberg
Cameron Mackintosh Production
The Queens Theatre, London ongoing
“spectacularly moving.”
For over 18 years Les Mis,
as it is fondly called, was a landmark at the Palace Theatre in Cambridge
Circus. The face of an urchin girl stared down upon the bustling crowds who
passed through the intersection en route to the whole of London’s West End.
Then in 2004 the production had to find a new home and it has been in
Shaftsbury Avenue’s Queens Theatre ever since. Last year it celebrated 30 years
with a big spectacular Hollywood film. But tonight I was finally getting to see
what has kept this iconic show going for all those years. The stage musical.
As the audience files into
the beautifully restored traditional auditorium we are greeted by that iconic
picture of Cosette seen on a thousand buses and underground billboards. As the
lights dim her face is swathed in smoke and we see Jean Valjean working out his
last days on the chain gang under the watchful eye of his sworn enemy Javert. The
scene is set for a battle between the two that will last more than 17 years.
The production makes great
and creative use of the theatre’s huge revolving stage. Not only are sets
turned into sight but chases are excitingly enacted. In addition there are two
huge sets that are wheeled on from the wings and create the street buildings
and the eponymous barricade.
This is a huge cast
playing vocally demanding roles so it is no surprise that many of the lead
characters were not the main cast on a midweek matinee. But, as this is a
production that relies on talented singers rather than star names, this mattered
not a jot.
The heartbreaking
depiction of early nineteenth century French poverty is enlivened by the comic
turns of M & Mme Thenadier, the innkeeper and his wife, but even they are
without scruples or morals when it comes to trying to earn a few francs.
Les Miserables is chock full
of hummable songs, most recently I Dreamed A Dream. Fortunately the producers
have resisted the temptation to build a SuBo moment into the show and, while
Fantine’s rendition is superb, it does not elicit any unseemly reaction aside
from a well deserved ovation at its conclusion.
Les Miserables has been
running in London’s West End for 30 years and has since opened internationally
and has become the longest running musical in the world. Ever. I wouldn’t be
surprised if it runs for another 30 years. And another
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