Parade

Review by: Paul Towers, 04 September 2017

Parade by Jason Robert Brown

Leicester Amateur Operatic Society production

Curve – 4 – 9 September 2017

“a musical triumph.”

Looking back from the 21^st century the last hundred years have produced some truly appalling travesties of justice and the case of Leo Frank was a low point even for the early 20^th century.

In 1913, just 50years after the American Civil War, a Brooklyn born Jew called Leo Frank, married to local girl Lucille, is feeling increasingly alienated from the local townsfolk.

Working as a supervisor in a local factory, Leo is responsible for paying wages. Just as the Confederate Memorial parade is due to start a local 14 year old girl, Mary Phagan, comes for her pay. Later  that day her body is found in the basement of the factory.

The initial suspicion falls on Newt Lee, the black night watchman. But then Leo Frank is arrested. Feeling that they have strung up far too many blacks lately, the prosecutor, Hugh Dorsey, is pressured into making sure Leo is found guilty. To that end many witnesses are either blackmailed or bullied into making false statements against him and he is found guilty and sentenced to hang.

His wife, Lucille, takes it upon herself to persuade the Governor to commute the sentence to life imprisonment. Which he does eventually

Unfortunately some of the locals take the law into their own hands, break into the prison and kidnap Leo. After forcing him to confess to something he didn’t do they brutally lynch him.

Jason Robert Brown has managed to take a truly horrible crime and subsequent miscarriage of justice and turn it into a musical triumph.

As always the performers from LAOS excel themselves with the kind of singing voices worthy of any mainstream theatre company.

Especial mention must be made of Tom Mottram as Leo Frank. His ability to portray the Woody Allen-esque whining of the supervisor but then transform instantly in a fantasy sequence into a leering sexual predator is amazing.

Tim Stokes as Frankie Epps leads much of the action with great stage presence and a fine voice. Joshua Harding as Newt Lee has a wonderful deep voice full of soul while James Summers as Jim Conley adds a nice contemporary feel to his two stand out songs.

To add to the immediacy of the musical numbers there is a live band hidden behind the back cloth.

The staging is quite minimalist with a pair of stairs moving around the stage to provide vantage points, walls and stairs while furniture props are brought on and off as required by the cast.

On the face of  it this is not the stuff of musical theatre but it works

Parade is at Curve until 9^th September

www.curveonline.co.uk

First published on Western Gazette

Jestin' at The Western 2/9/17

Review by: Paul Towers, 02 September 2017

Jestin’ at The Western  

Dan Nicholas

Upstairs @ The Western, 2/9/17

“the new monthly stand-up comedy night”

Tonight was the inaugural night of Jestin’ in The Western, the new monthly stand-up comedy night. Running on the first Saturday of the month this is a night fronted by local hero Dan Nicholas as an opportunity for new and established acts to try out new material.

This edition was full to the brim with an eclectic mix of styles and, it has to be said, quality of material.

The evening started off with Dan Nicholas’ warm up of trademark off the wall comedy. A great way to gee an audience up.

First on the bill was Eric Rushton whose faux shambolic stories told in a surreal deadpan way worked very well. He appeared to relish gently provoking the audience and running with the results.

Next up was the self styled Magic Poetman, William Makesbeer. While his comedy poetry was quite humorous his musings in between didn’t always work.

To wind up the first half we had Lucy Thompson, a local lesbian with a sharp delivery and a nice line in self deprecating tales of her mixed heritage upbringing.

With a well needed break for refreshments Dan Nicholas took to the stage once more to kick start the second half of the bill.

First up was Steph Brown, an Irish woman with great comic timing.

Next was Bruce, the one dud of the evening. He came on stage with a rather nasty beard and wig as a disguise solely so he could recycle a very old joke about hiding from the DWP. His material limped on, mildly amusing until his finale, an awful rewritten version of Land Of Hope And Glory.

Fortunately the next act, the headliner of the evening, was George Rigden, an acerbic and quite aggressive performer like a cross between Joe Wilkinson and Nick Helm. However he got away with it by being funny, mostly.

Jestin’ at The Western is on every first Saturday of the month and serves up 3 hours of comedy for just £8. Bargain!

Also returning later this month is the renowned Upstairs at The Western comedy workshops run by Dan Nicholas starting on 24 September and culminating in a showcase performance on 5 November.

 Upstairs at The Western http://upstairsatthewestern.com/

First published on Western Gazette and Pub Theatres 

The Game's Afoot

Review by: Paul Towers, 01 September 2017

The Game’s Afoot by Tom Taylor

Upstairs @ The Western, 1 September 2017

“the laughs come thick and fast.”

Tom Taylor is a very funny multi award winning comedian whose usual genre is silly musical comedy. This year he has branched out into what can only be described as spoof detective stories and is touring with a double bill of  The Game’s Afoot, Try The Fish and The Man With The Twisted Hip.

From the minute Charlie Montegue, narrator, amateur detective and all round silly ass walks on stage the laughs come thick and fast. With more groan inducing puns than an entire series of Bake Off, Taylor’s self penned monologues are peppered with enough characters to exhaust his limited repertoire of voices (his words) with often excruciating accents.

The first half is a send up of all those Agatha Christie country house murder mysteries as 1930’s Charlie is brought in the prevent a murder. And fails miserably.

The second half  is a parody of those European heist films of the 70’s as Charlie tries to work out who stole a diamond secreted in a piece of art.

This was the first show of Upstairs at The Western’s autumn season and kicked it off with a sell out performance.

The Game’s Afoot (etc) had a hugely successful Edinburgh Festival this year and is touring throughout September and October. Full details at www.tomedy.co.uk/charlie-montague

 Upstairs at The Western http://upstairsatthewestern.com/

First published on Western Gazette and PubTheatre Blog

Lady Day

Review by: Paul Towers, 30/8/17

Lady Day at Emerson’s Bar & Grill

Written by Lanie Robertson, starring Audra McDonald

Wyndham’s Theatre, London until 9th September 2017

“a breathtaking performance”

This is an outstanding performance from a true superstar of an astonishing story.

Billy Holliday was a troubled person, a battered product of a truly harrowing period of American history when black people were treated like animals. Yet despite her appalling life, despite the appalling abuse heaped on her by white and blacks alike, despite the ravages of drink and drugs Lady Day, as she was nicknamed, used her unique voice to lift her to unimaginable heights only for her self abuse to plunge her straight back down into the gutter.

Lady Day at Emerson’s Bar & Grill is set in a somewhat run down bar in Philadelphia in 1959 shortly before her death.

For this production several rows of seats have been removed and replaced with cabaret style tables and chairs with lamps to give the impression of being in the titular Bar & Grill, an American way of combining dinner and a show. To further foster the illusion some tables were on stage for patrons to be part of the performance.

It has to be said that Audra McDonald’s performance is breathtaking, an extraordinary portrayal of  the battered talent which was Miss Billy Holliday in all its gut wrenching truth. Going from uplifting as her spirits soar and she sings like her heart is bursting to the very depths of her despair as Lady Day gradually falls apart before our eyes. The drink and drugs eating away at her very core.

Lanie Robertson wrote the script way back in 1986 and had successful runs in 1986 and 1987. It had a revival in 2005 but it was when Audra took on the role in 2014 that it was truly recognised as the masterpiece that it has now become. Audra McDonald won her sixth Tony in the role as well as an Emmy.

Billy The Kid

Review by: Paul Towers, 23 August 2017

Billy The Kid by Ben Frost & Richard Hough

A National Youth Music Theatre production

Curve  23 – 26 August 2017

“funny, musical and energetic.”

It is often a calculated risk to produce a completely new musical. There are invariably problems with the story and/or the musical numbers.

I am delighted to say that Billy The Kid suffers from none of these problems. This is a fully formed original musical fit for any stage

The story of Billy The Kid was, apparently, a ‘fake news’ piece created by Pat Garrett, the man who shot him down, to bolster his fragile ego (now where have we heard that recently?). Frost & Hough resolved to put the record straight, well more or less. William Antrim, Billy The Kid, is an undersized cowboy in the wildest of 19^th Century America’s Wild West. The story concerns his turning up, on the run, in a town called Lincoln ruled by the corrupt patrician Col J Murphy. At first he is seduced by the Colonel’s power and influence but soon sees beneath the benevolent veneer and the violent bully that he really is. And leads the movement to free the town from his iron grip.

An unbelievably talented cast is led by Ben Lewis (13 but looks about 10) as Billy, Josh Barnett (19) as the Colonel and Fraser Jacobs (14) as Sam Briscoe. Young Ben’s scene stealing starts from the moment he launches into his big number at the top of the show. Billy’s Song is an all out show stopper rammed full of comedy and pathos. Not only can Ben sing up a storm but he has fine comic timing and can dance with the best of them.

As is typical in National Youth Music shows there is plenty of room for dance numbers that highlight the talents of the ensemble. It being a cowboy show there is an abundance of hoe-downing in a sea of check shirts.

The start was a little confusing as it began in modern day America with a classroom of unruly kids sabotaging the swots’ attempts at education. But then it all became clear when it was revealed that the whole Billy The Kid adventure was just the dream of young Billy, the smallest kid in the class.

The scene changes are masterfully achieved with clever choreography and multiple props. The staging was incredibly inventive with even a mad stagecoach chase at one point

This is a funny, musical and energetic romp from start to finish.

Billy The Kid is on at Curve until Saturday 26^th August

Tickets available at www.curveonline.co.uk

First published on Western Gazette

Leicester theatre autumn 2017

This autumn’s theatre roundup

Once again Leicester is spoilt for choice when it comes to cultural gluttony

Our three main theatres, Curve, DeMontfort Hall and The Little Theatre are crammed full of delights for the eyes and ears between now and Christmas

Curve has, as usual, a mixed bag of productions, both in-house and visiting, to suit all tastes. September starts off with the annual offering from LAOS. This year it is Parade, a ‘daring, gritty and bold’ story of miscarried justice. Further highlights are The Railway Children in October and my all time favourite movie translated to the stage, Sunset Boulevard, yet another Curve co-production prior to touring. Making a welcome return, for a third visit, is Paul Kerryson’s production of Hairspray. October sees the return of Curve’s very successful Inside Out Festival, a very accessible collection of performances in a variety of spaces within the theatre. Watch out for Curve Young Company’s Oaklhoma after their awesome Midsummer Night’s Dream. Once again Curve spoils us at Christmas with Scrooge and George’s Marvellous Medicine taking us into the New Year.

DeMontfort Hall, despite having a rolling series of renovations and improvements continuing, has a well stock festive cupboard for all tastes. For pure musical fans there is Willy Russell’s Blood Brothers, to my mind the perfect musical theatre production. Christmas is taken care of with the now traditional pantomime. This year it is Beauty and The Beast with Leicester’s own Sam Bailey. Between now and then there is the usual eclectic mix of stand up comedy, musical acts and headline bands.

Not to be outdone, The Little Theatre has the usual mix of thrillers, farces and musicals. All at affordable prices. Where else can you get to see Les Miserable or Annie for less than £15? Alongside the visiting productions there is the annual pantomime. This year it is Dick Whittington.

Just up the road from The Little is the often overlooked Y Theatre. This 117 year old theatre is home to a wide selection of one nighters ranging from comedians to bands to ballet.

Of course we mustn’t forget our very own Upstairs at The Western, Leicester’s only pub theatre. This very popular venue, now in its second season under new management, has a wide range of shows, many running for more than one night or on a monthly basis. Find The Write Words is the immensely popular poetry nights. This season there is a ew regular comedy night, Jestin’ at The Western hosted by local legend Dan Nicholas. There is also the return of the well respected comedy workshops

Full details of all the above venues can be found online  at:
www.curveonline.co.uk

www.demontforthall.co.uk

www.thelittletheatre.net

www.leicesterymca.co.uk/theatre/

www.upstairsatthewestern.com

A Midsummer's Night's Dream

Review by: Paul Towers, 16 August 2017

A Midsumer Night’s Dream  by William Shakespeare

A Curve Young Company and Community Production

Curve 10 – 20^th August 2017

“a magical dream”

First up I have to admit that Shakespeare normally leaves me cold. I just cannot tune into the dialogue patterns. It is like a foreign language to me.

That said, although I did not have high hopes for this production I was very pleasantly surprised at how much I enjoyed it. While the huge chunks of Shakesperean verbiage bored me to death, this play has the huge advantage of being liberally laced with plenty of  humour and, under Nick Winston’s direction, huge chunks of physical comedy.

Most of the hilarity is provided by Alexander Clifford’s Bottom (his character, not his anatomy!) who seemed to be channelling Marlon from Emmerdale to great effect.

While the entire cast is excellent special mention has to go to Harvey Thorpe and Chris Brookes as Demitirus and Lysander, the thwarted lovers of Helena and Hermia who swashbuckle their way through a very realistic fight sequence.

In a break with tradition Puck is played by two actors simultaneously, Joel Fossard-Jones and Mahesh Parmar, as a sort of devilish Jedward, sometimes sharing lines and sometimes alternating but at all times creating mischief. Very effective.

The set is very imaginative, a grassy knoll which doubles up as a stage; a very effective cyclorama across the back of the stage that is used to imply the forest, the various interiors and also a screen for dream sequences.

To make the play more relevant to a young audience there are modern ‘street’ dances inserted and a couple of songs which, although not strictly authentic, worked well.

All in all this is a magical dream that will, hopefully, entice more youngsters into the theatre.

Tickets are still available at www.curveonline.co.uk

http://ptheatre.blogspot.co.uk/

First published on Western Gazette