Cat (The play)

Review by: Paul Towers, 14 February 2016

Cats The Play by Richard Hardwick and Jamie Beamish

Curve, Sunday 14^th February 2016

“the greatest musical theatre star that never was”

Cat, The Play is Hardwick & Beamish’s irreverent homage to musical theatre and especially the behemoths that are Andrew Lloyd Webber (ALW) shows. Dave, our ‘hero’ is ‘the greatest musical theatre star that never was’ and this is his story.

When Andrew Lloyd Webber’s Cats, the musical, first burst forth onto the stage of the New London Theatre in 1981 a young Judy Dench was cast to play Grizabella. As history shows she snapped her Achilles tendon during rehearsals, Elaine Paige leapt into the breech at short notice and a star was born.

Dave had no such luck as he had a history of being written out just before opening night on a string of productions, coincidentally all written by the Lord (Lloyd Webber).

The stage is littered (Littered. Geddit? Cats, litter. Oh never mind!) with the detritus of a multitude of musical theatre roles. Into this junk yard skips Dave, still in his Cats costume, and the tale unfolds (do I have to explain every pun to you?).

Not only is the story itself hilarious but the interspersed songs are works of genius. Of especial note is the extraordinarily sacrilegious spoof of Jesus Christ Superstar which is perhaps the highlight of this tongue in cheek adulation of all things ALW.

The script is sprayed (!) with hundreds of in-jokes. For a Musical theatre geek, buff or just an appreciative audience member, this is the stuff of wet dreams. Not only are the musical numbers clever parodies of well known songs but the dialogue itself  contains numerous familiar lines from West End shows. This show is, in the words of the great Eric Idle, ‘lovingly ripped off’ from the originals.

Losing a role in Cats doesn’t seem to have done Judy Dench any harm so there is hope for Dave yet, despite his vitriol. One day even he could end up as a shoplifting national treasure!

In the hands of Gerard McCarthy this failed entertainer dances, sings and even plays a bit of piano in a tour de force which left the audience in Curve’s Studio laughing and crying.

On the off chance that you can get a ticket for the evening show on Sunday 14^th February, grab it with both hands. Otherwise get on Ryanair to Belfast Opera House for the 18^th & 19^th February

Full details of upcoming performances at http://www.davidhullpromotions.com/cat-the-play

First published on Western Gazette

Mixed Doubles

Review by: Paul Towers, 13 February 2016

Mixed Doubles by Will Close, Megan Smith, Paul Aitchison and Rose Robinson

Upstairs @ The Western, 13^th February 2016

“an hour of  slick sketches”

Sketch shows, whether on TV, radio or on stage, are notoriously difficult to get right but Mixed Doubles do a damn fine job.

With a 100% success rate this team of four writer/performers had the audience with them from the start. Most of the sketches had us laughing out loud, a few invoked awkward moment titters and several were more inventive than expected.

This quartet have an established pedigree as writers and performers and are BBC Radio 4 favourites.

With hilarious routines around The Elephant In The Room, Lady Pains and a great finale song this is an hour of  slick sketches by a group who are so comfortable with each other that they even try and corpse one another.

Mixed Doubles are touring prior to taking the show to the Edinburgh Festival later this year and won the Peoples Choice Award at Dave’s Leicester Comedy Festival in 2013

More details at http://www.mixed-doubles.co.uk/

First published on Western Gazette

An Audience with Henry VIII

Review by: Paul Towers, 11 February 2016

An Audience With Henry VIII by Ross Gurney-Randall & Pete Howells

An RGR Productions/Foundry Group co-production

Upstairs @ The Western, 11 February 2016

“a rollicking romp.”

From the moment that Ross Gurney-Randall’s late King Henry VIII bursts onto the stage we are assured of a riotous evening’s entertainment.

Stuck for the last 469 years in purgatory awaiting the appearance of God so he can be absolved of his sins, the notorious womanising Tudor monarch holds court with us, his captive audience.

Railing long and loudly, especially loudly, against the misinformation about his reputation that has accumulated over the passing four centuries, this much misunderstood sovereign (his words, not mine) sets about putting the record straight.

He did not have syphilis. Everyone else in Europe did, but not His Majesty. The ‘departure’ of his various wives were expediencies thrust upon him by his political and  regal advisors. The King loved them all. Well, maybe not the adulterous Catherine Howard. But all the rest. Mostly.

This is a rumbustious telling of  a period in English history that saw the dissolution of the monasteries and the creation of the Church of England. As His Majesty sits and awaits, in vain, his Lord’s arrival we are treated to a bombastic lecture laced with raucous humour; a rollicking romp through the Tudor king’s tumultuous life as he attempts to justify his few victories and many failings with many a sly wink to the audience.

Ross Gurney-Randall’s performance is a master class in powerful arrogance entwined with emotional vulnerability.

Full details of upcoming dates for this award winning show can be found at www.foundrygroup.co.uk

First published in Western Gazette

and on Pub Theatres

Lord Of The Flies

Review by: Paul Towers, 09 February 2016

Lord of The Flies by William Golding

Regents Park London Theatre Production

Curve 9 – 13 February 2016

“harrowing tale of human nature.”

Long ago when films were still black and white and I was still in short trousers one of the set books at school was William Golding’s harrowing novel of human nature and what happens when the discipline of normal society is discarded.

Published in 1954 this was Golding’s first novel, written while working as a teacher in Salisbury. Born in Cornwall and serving honourably in the Royal Navy during the war, Golding had returned to teaching and started to write in his spare time. Drawing on his experiences both at sea and in school he was credited with the accurate documenting of the lawlessness of teenage boys left to their own devices. This insight was what led him to imagine an extreme scenario where a bunch of young lads find themselves left to go feral.

This critically acclaimed production of Lord of The Flies thrills and shocks from the moment it starts. The set is magnificent and features the back end of a crashed passenger plane surrounded by spilled luggage in the jungle of a desert island. Slowly the few surviving schoolboys gather together and try and work out what to do. Their first opportunity to be rescued fails when their fire goes out. Gradually the camp splits into two factions; one wants to be sensible, organise themselves and plan a strategy for attracting rescuers; the other feels their blood rise when they go hunting a pig for food and ultimately descend into savagery. This clash leads to two deaths and would have resulted in even more if salvation in the form of the Royal Air Force didn’t step in.

A superb cast of young actors, some dance trained, fill the stage with the required bloodthirsty and animalistic brutality while Luke Ward–Wilkinson as Ralph and Freddie Watkins as Jack lead their respective gangs in their blood soaked descent into near madness. Along the way Golding shows how easily superstition and religious fervour can be imposed on those without a direction, despite their supposed education and intellect.

Lord of the Flies is on at Curve until Saturday 13 February

Full details at http://www.curveonline.co.uk/

First published in Western Gazette

Conversation Garden

Review by: Paul Towers, 06/02/16

Conversation Garden Does a Panel Show

Dan Nicholas, Jack Britton & Lewys Holt

Upstairs @ The Western, 6 Feb & 20 Feb 2016

“the anarchic lovechild of Shooting Stars and Blankety Blank.”

Conversation Garden has been doing the rounds for a few years and has garnered a cult following, especially amongst students and similarly lazy 20-somethings.

In 2014 the trio retired the show, vowing never to return to their debauched ways. So when they decided to make a comeback for this year’s Dave’s Leicester Comedy Festival they got together over several gallons of lager and, voila, came up with a whole new concept. Conversation Garden Does a Panel Show.

This late night, 18+ only, entertainment is the anarchic love child of Shooting Stars and Blankety Blank. Dan Nicholas is the hapless ringmaster trying to keep order between team captains Jack & Lewys, a couple of guest comedians and numerous ‘volunteers’ dragged kicking and screaming from the audience just to make up the numbers.

Questions are grouped into rounds that vary from awful puns to beer drinking contests. All done in the best Student Union tradition. The audience is actively encouraged to get involved and, unsurprisingly, get more answers right than the panellists.

Tonight’s show was sold out but the guys return on 20^th February for another evening of barely controlled chaos, nudity, drunkenness and the occasional naughty word. Dan Nicholas can also be seen hosting the Upstairs at The Western Comedy Workshops with Gary Phillpott throughout March and April. www.upstairsatthewestern.com

First published on Western Gazette

and on London Pub Theatre blog

George Egg

Review by: Paul Towers, 05 February 2016

George Egg – Anarchist Cook

Upstairs @ The Western, 5 & 6 February 2016

“a belter of a show”

Leicester’s Upstairs at The Western kicked off its contribution to Dave’s Leicester Comedy Festival 2016 with a belter of a show. George Egg – Anarchist Cook is just what it says a stand up comedian - cooking!

A well established performer, George has travelled the length and breadth of this and other countries. In each and every hotel he has stayed  he has found the same over-priced and unimaginative late night culinary offerings. So, how to remedy this woeful situation? How about rummaging around all the freebies left for customers, combine them with the normal appliances in every room and, with minimal shopping, whip up an imaginative 3-course meal. Which is exactly what he does in every show. So successful are his ad hoc meals that he serves them up to the audience afterwards.

That would be impressive enough if he were Mary Berry but given that he combines this with the left field humour of Bill Bailey and he has the audience in the palm of his hand from the outset.

George Egg- Anarchist Cook is at Upstairs at The Western again tomorrow (Sat 6 Feb) but is sold out. However he is on tour throughout the year. Full details at www.georgeegg.com

The rest of Upstairs at The Western’s season can be found at www.upstairsatthewestern.com
First published in Western Gazette

and London Pub Theatres

Three Days Of Rain

Review by: Paul Towers, 01 February 2016

Three Days of Rain by Richard Greenberg

Leicester Drama Society with Lois Cowley, Mark Bland & Andrew Parsons

Leicester Little Theatre 1 – 6 February

“all three actors chew up the scenery.”

Three Days of Rain is a play of two halves but is nothing to do with football!

In the first half Nan, Walker and Pip are, respectively, sister, brother and childhood friend who gather prior to the reading of Nan & Walker’s father’s will in 1995 Manhattan. Nan is the sensible, balanced older sister, Walker is the acutely disturbed brother and Pip is the son of their father’s creative partner. So far, so good. The trouble is that when the atmosphere gets a little heated old wounds are opened and secrets are spilled.

The set is an acutely observed dilapidated loft apartment which serves as both the modern bolt hole of Walker and the apartment where their parents met and consummated their relationship.

The second half goes back to where it all started, and swiftly unravelled, for the family when neurotic Lina (Lois Cowley) meets stuttering, shy Ned (Andrew Parsons) and dumps assumed fiancée Theo (Mark Bland).

Each actor doubles up and plays both the parents in the second half and their own children in the first half.

This is not the easiest of story’s to follow, partly because of the American accents but also because quite a lot of the story is left hanging for the audience to work out for themselves.

All three actors powerhouse their way through their roles with acclaim and all three have their chances to chew up the scenery.

There is creative use of lighting, sound design and water throughout

Three Days Of Rain is at Little Theatre until Saturday 6 February

First published on Western Gazette