Review by Paul Towers, 28/11/24
My Fair Lady book & lyrics by Alan Jay Lerner,
music by Frederick Loewe
Directed by Nikolai Foster
Produced by Curve
At Curve til Saturday 4th January
2025
Originally adapted from George Bernard Shaw’s
Pygmalion My Fair Lady was first staged as a musical in 1956. Since then it has
been revived and revived.
Professor Henry Higgins (David Seadon-Young) is
a bombastic, hyperactive misogynistic expert in linguistics. Meeting up with fellow
phonetician Hugh Pickering (Minal Patel) Higgins arrogantly bets his friend he
can transform any girl so she can pass in high society. Flower girl Eliza
Doolittle (Molly Lynch) hears this and takes him up on the challenge.
Eliza’s guttural squawking soon has the edges
rounded off and she gradually discovers classiness.
An astonishingly talented cast incudes the
awesome Cathy Tyson as Mrs Higgins, Djavan van de Fliert’s vocals as Freddie
are amazing and the comic timing of TV regular Steve Furst lift this production
sky-wards. Molly Lynch makes a perfect Eliza as she switches effortlessly from
streetwise urchin earning pennies in Covent Garden to puncturing the pomposity
of high society.
The very first wow moment comes when the set
for the interior of Professor Higgins’ house swings across the stage. It is
staggering and all praise must go to designer Michael Taylor. It folds in and
out to display two staircases which the cast make full use of. But then it
pivots back round and it is the dirty brickwork of Covent Garden.
Taylor is also responsible for costuming the
production and while the urchin-like ensemble are straight out of Oliver it is
in the society scenes that he really comes into his own. In the Ascot racing
scene he has captured the iconic Dior look of the film.
When it comes to the vocal talents of the
cast huge praise has to go to Molly Lynch’s Eliza and, as mentioned above, de Fliert’s
Freddie also warrants mention. However, for sheer vocal dexterity Seadon-Young’s
Henry Higgins takes some beating as he storms through songs like Why Can’t The
English and the iconic The Rain In Spain.
All of this is superbly backed up by amazing the
choreography of Joanna Goodwin (unsurprisingly known recently for Curve
productions of Billy Elliot and Sunset Boulevard)
I could go on praising this production but I
have run out of superlatives so it is enough to say grab a ticket if you can
and get down to Curve before 4th January for a gloriously uplifting
piece of musical theatre.
Pics by Marc Brenner
https://ptheatre.blogspot.com/