Our House

All pictures (c) Matthew Cawrey

Review by: Paul Towers, 30/5/19

Our House by Tim Firth, music & lyrics by Madness

A CYC, Made At Curve production directed by Alex Sutton

Curve 30 – 31^st May 2019

“funny, musical and energetic.”

When the original show premiered in London’s West End in 2002 it won an Olivier Award and has toured both nationally and internationally since. It is an ideal show for young theatre groups like Curve’s CYC as it can have as large a cast as you want and there are plenty of roles for good singers and actors.

The story of the show is of  Joe Casey, a 16 year old trying to impress girlfriend Sarah. He breaks into a building development to find something to sell but the police turn up. Taking its inspiration from Sliding Doors, Joe’s life splits into two very different directions. Good Joe (here played by Sam Cooper) stays and gives himself up to the police and his life follows his father’s into prison and dead end jobs. Bad Joe (Tom Morley in fine voice) runs away and leaves girlfriend Sarah (Fae North) to fend for herself. On the face of it Bad Joe makes something of himself while Good Joe languishes in the gutter. However Good and Bad turn out not to be what you think.

There is a huge and hugely talented cast of 33 in Curve’s studio space on a versatile set that includes an onstage band. Of course none of the cast will have had the faintest idea who Madness were before they started working on this show but I hope they now have an appreciation of the musical heritage that we had in the 80’s

There are plenty of Madness songs spread throughout the narrative and each one could almost have been written for the musical. Author Tim Firth is responsible for Calendar Girls and Kinky Boots so it is no wonder the show is infused with both comedy and pathos.

This is a funny, musical and energetic trip down memory lane for those of us old enough to remember the 80’s and a musical education for millennials.

Our House is at Curve again tomorrow (Friday) with a few seats left.

Curve – www.curveonline.co.uk
First published on Western Gazette

Ain't Misbehavin'

 Review by: Paul Towers, 221/5/19

Ain’t Misbehavin’ by Richard Maltby Jr

A Bill Kenwright production, choreographed by Oti Mabuse

Southwark Playhouse 19 April – 1 June 2019

“lively, funny, feel good show.”

Ain’t Misbehavin’ is another of those shows whose soundtrack I have had for many years and never got round to seeing a production. Until now.

The show is arguably the original juke box musical. There is very little narrative, it just lets the songs shine through. And boy do they shine.

Fats Waller was around at the start of the 20^th century(1904 – 1943), so nicknamed for his immense size (ultimately some 300lbs) . Despite such a comparatively short life he had a prodigious output of songs which varied in style from pure jazz to comedy to romance. Listening to the selection made for the show you get a taste of the talent that was sadly cut short. At the time of his career there was, of course, strict racial segregation but Waller was influential in black music and musicians becoming mainstream.

The show at the intimate Southwark Playhouse space is laid out very much like a cabaret venue with a dance floor in the middle, three sides of raked seating and a stage area that is built up to accommodate the four instrumentalists, Elias Jordan Atkinson, Blake Cascoe, Mebrakh Haughton-Johnson and Ruben Ramos Medina. These are led by orchestrator Mark Dickman on piano, who sits on a dais which moves remotely on and off the performance space. The stage area is decorated in gold with lights all around.

Now we come to the singers/dancers. Wow! They sure have some moves, which is not surprising considering they are choreographed by a Strictly professional, Oti Mabuse. The two guys, Adrian Hansel and Wayne Robinson, are more than a match for the three girls, Renee Lamb, Carly Mercedes Dyer and Landi Oshinowo who get all the funny lines as well as filling the dance floor with fine moves.

This is a lively, funny, feel good show with comedy and spectacle. I defy you not to tap your feet through most of the numbers!

The thing with Fats Waller music is that on the surface it seems to be macho, showboating, bragging of the boys. But when you scratch below the surface just a tiny bit you realise that the girls hold all the cards and always win.

Ain’t Misbehavin’ is director Tyrone Huntley’s directorial debut and runs until 1^st June

Southwark Playhouse https://southwarkplayhouse.co.uk
http://ptheatre.blogspot.co.uk/

Matthew Bourne's Romeo and Juliet

Review by: Paul Towers, 17/05/19

Romeo and Juliet by Matthew  Bourne after William Shakespeare

A New Adventures production

Curve 13 – 18 May 2019

“spectacularly, energetic and innovative”

The world premier of any work is something to be proud of. When it is a new Matthew Bourne ballet and is at Curve then Leicester can justifiably preen itself and crow from the rooftops.

We all know the rough story of Shakespeare’s most popular play in his lifetime. Boy meets girl, warring families refuse to let the lovers be together, lovers die together. In these times of religious tensions the story resonates even more than usual.

Bourne has reimagined and relocated the story to Verona Institute, a place where boys and girls are segregated, kept apart by sadistic guards led by Tybalt.

The set is typically spectacular, a curved wall of white tiles with prison gates in it and a balcony running up both sides. High above the sterile main room is a huge stained glass roof which lowers at appropriate times in the story.

Prokofiev’s atmospheric score is based around what we TV addicts will recognise as The Apprentice theme and reflects the emotional turmoil that thwarted lovers feel.

A hugely talented young cast are led by Paris Fitzpatrick as Romeo and Cordelia Braithwaite as Juliet. The main villain of the piece, Tybalt, is danced malevolently by Dan Wright. As well as the main New Adventures cast of 19 there are also 6 Leicester Young Company cast members. Each stop on the tour will have similar local new artistes who will have been trained and coached by New Adventures for the last year in order to appear in this new ballet.

There is a live orchestra of 19 at every performance which adds depth to the sound of this spectacularly, energetic and innovative ballet.

The entire run at Curve sold out within hours of going on sale so there are no tickets for tomorrow’s final two performances. Your only hope is to call the box office and pray for returns. But don’t hold your breath. If you are not lucky then look at booking at Northampton from 28^th May.

Curve – www.curveonline.co.uk
First published on Western Gazette

Enron

Review by: Paul Towers, 16-May-19

Enron by Lucy Prebble

A Curve & DeMontfort University co-production

Curve 15 – 18^th May 2019

“a depiction of corporate greed and avarice.”

Enron is the story, warning of what can go wrong when corporate companies are given free reign with few regulations.

Back in the 90’s Enron was a moderately successful company supplying gas to Texans. As the millennium approached and deregulation freed it from Government scrutiny it spread its influence into electricity, natural gas, pulp, paper and communications, hoping to ride along the burgeoning broadband industry. To finance all this expansion it used some very creative accounting methods to wildly over value the company. Complicit in this long term financial fraud were the management, auditors and accountants all of whom ultimately paid the price with jail sentences.

Lucy Prebble’s play, a major hit in London’s West End fared less well on Broadway and can be likened to The Wolf Of Wall Street in its depiction of corporate greed and avarice. This production is part of the continuing nurturing of talent at DeMontfort University that Curve has been committed to for the last decade.

The ambitious set, designed by Kate Unwin, of four levels created with steel poles provides the many rooms needed. It is draped underneath with lots of wires further illustrating the technology at the heart of Enron. TV screens around the upper perimeter show rolling financial reports from stock exchanges and periodically snap to live TV broadcasts of events.

The large talented cast of students performed with alacrity in a variety of costumes.

This production is directed by Jonathan Martin who has gathered around him a talented crew including sound designer Dave Norton and lighting designer Jonny Laidlow.

Enron is at Curve until Saturday 18^th May

Curve – www.curveonline.co.uk
First published on Western Gazette