Upcoming at Curve

 Review by: Paul Towers, 14/10/20

 “At last some good news!”

 Curve has announced its reopening schedule to give us all some festive cheer thanks to the recent grant from the  government’s Culture Recovery Fund and the ongoing support from Arts Council England and Leicester City Council. Credit should also go to the management of Curve who have successfully steered Leicester’s flagship theatre through these unprecedented times.

The season will officially launch with a special, exclusive live-streamed event on 12 November.

From 23 Nov to 3 Dec The Color Purple will return to Curve in a concert production reimagined by the original  creative team of director Tinuke Craig, musical director Alan Parker and choreographer Mark Smith. Original cast members T’Shan Williams (Celie) and Danielle Flamanya (Nettie) will return. Other cast member will be announced when confirmed.

Christmas will see the return of Sunset Boulevard from 14 Dec to 3 Jan. Staged as a concert performance it will be directed by our own Nikolai Foster with original cast members Ria Jones and Danny Mac. There will also be a 16 piece orchestra.

Continuing into the New Year there is the return of Memoirs of an Asian Football Casual. Director Nikolai Foster will helm this story of local boy Riaz Khan’s life from 25 Jan to 6 Feb

All three shows are award winning productions and full castings will be announced in due course.

Continuing Curves very popular community led events there will be a socially distanced Family and Community Day on Sat 14 Nov which will include a selection of low cost and free workshops, performances and activities for all ages from Midlands artists and theatre companies. All events will be ticketed and MUST be booked in advance.

The reopening of Curve to the public has been made possible because of the unique design of Leicester’s award winning theatre. By raising the wall between the two theatre spaces (I bet you didn’t realise they could do that!) to create one huge space they can accommodate 533 seats in a socially distanced way. Add into this the incredibly generous donation by Sir Cameron Mackintosh of a triple revolve and Curve once again has a world beating performance space which will be the envy of  theatres everywhere.

To ensure the safety of both artists and audiences there will be a one way system in the building, additional cleaning and temperature checks before you are allowed to enter the building. Further information can be found on the website.

Tickets for all shows and events go on sale on Thursday 15 October for Friends of Curve, Mon 19^th October for Members and on General sale at noon on Weds 21 October.

Curve https://www.curveonline.co.uk/
http://ptheatre.blogspot.co.uk/

 

Inside No9/Fright Night

 

Review by Paul Towers, 11/3/25

Inside No 9/Fright Night by Steve Pemberton & Reece Shearsmith

Directed by Simon Evans

Produced by Phil McIntyre Live

At Wyndham’s Theatre til Wednesday 2^nd April 2025

The first thing that has to be said about Inside No 9/Fright Night is that you have to be a fan of, or at least have watched the various works of Messrs Pemberton & Shearsmith. Otherwise you will miss so much of the fun and horror of this stage version of Inside No 9.

Without giving too much away the stage opens on a set of theatre seats where Shearsmith is trying to watch a performance of Hamlet. As so many of us can testify there are always annoying audience members that we would wish to berate. But, being British, all we do is tut. In P&S’s alternative universe dire revenge is taken on these annoying patrons, much to the approbation of the (real) audience. Stepping out of character our two author/performers issue a not always tongue in cheek warning of what would happen to disruptive audience members to thunderous applause.

Playing to an appreciative audience a lot of the time the ‘sketches’ get darker and darker with some elements lifted almost wholesale from the TV series, while others are completely new. Of especial note has to be the almost entire sketch of Bernie Clifton’s Dressing Room and, in the second half, an horrific visit to an insane asylum.

Not only do we have the authors in starring roles but there is also a very talented ensemble who back them up and, each night, a surprise special guest. This means that new material has to be written every night to accommodate them. My visit coincided with Chris MacCausland’s  appearance which, of course, had to reference his win on Strictly and his blindness.

Along the way the pair poke fun at some of theatreland’s peccadillos. The current trend of onstage live video feeds is sent up and used to good effect when it goes on a backstage tour of the supposedly haunted Wyndham’s Theatre. Some good natured tail tweaking of theatre managements, artist agents and method actors ensures the laughs continue alongside the cries of horror.

All in all this is everything and more that you would expect from the team behind Inside No 9. Five stars all the way. A shame it is sold out, but you have to get in quick for these popular limited run shows.

 

https://www.wyndhamstheatre.co.uk/

https://ptheatre.blogspot.com/ 

A taste of honey

 

Review by Paul Towers, 3/3/25

A Taste of Honey by Shelagh Delaney

Directed by Russell Hughes

Produced by Leicester Drama Society

At The Little Theatre til Saturday 8^th March 2025

Shelagh Delaney’s 1958 play set in poverty stricken Salford highlighted issues of class, race, age of sexual consent, gender, sexual orientation and illegitimacy at the time. Not a huge lot has changed in the interim.

Jo (Celester Walton), a teenager, is dragged into yet another unsuitable lodging by her wayward mother, Helen (Holly Matusiewicz). It suddenly dawns on Jo that her mother is close to being a prostitute, living off the handouts of her various lovers. Their relationship is tempestuous, to say the least, partly due to Helen’s drinking. Her latest boyfriend’s sudden proposal of marriage throws their relationship askew. Meanwhile Jo is being courted by a black ship’s cook, Jimmy (Abdullah Henly) who ultimately gets her pregnant. When Helen waltzes off to get married to Peter (Freddie Dobrijevic) Jo is left alone to cope with her pregnancy. It is at this point that Geoff (Thom Jones) enters her life. A lonely gay lad from art college the two form a mutually beneficial friendship.

As always with LDS productions the acting is superb and the set is imaginative. Special mention has to go to Holly Matusiewicz’s Helen who has to constantly switch moods as the drink takes hold.

A Taste Of Honey is at The Little Theatre until Saturday 8^th March

Pics: Jenny Harding

https://thelittletheatre.co.uk/

https://ptheatre.blogspot.com/ 

The Breath of Life

 

Review by Paul Towers, 3/1/25

The Breath of Life by David Hare

Directed by Ruth Cheetham

Produced by Leicester Drama Society

At The Little Theatre til Saturday 8th February 2025

David Hare’s powerful two-hander is a tour-de-force for the pair of actresses who play the wife (Angela Hill) Francis and mistress (Liz Kavanagh) Madeleine of absent lothario Martin Beale who has decamped to America with a ditzy blonde.

Francis has only recently found out about Madeleine and turns up on her doorstep wanting to find some sort of closure on her failed marriage. While both women are in their sixties it turns out they have both been in Martin’s life for more than 40 years.

Over the course of a day and night the two women talk and sometimes scream at each other while they attempt to untangle their emotions both towards Martin and each other.

While this may seem, on the face of it, an emotionally heavy piece of theatre it is sprinkled with some laugh-out-loud moments to alleviate the atmosphere.

A beautiful set by Nadine Hall invokes the Isle of Wight seafront that Madeleine has retired to.

The Breath of Life runs until Saturday 8^th February.

Pics: Sally Evans

https://thelittletheatre.co.uk/

https://ptheatre.blogspot.com/ 

It could be any one of us

 

Review by Paul Towers, 20/1/25

It Could Be Any One Of Us by Alan Ayckbourn

Directed by Mary Jones

Produced by Leicester Drama Society

At The Little Theatre until Saturday 25^th January

Alan Ayckbourn’s take on a comedy thriller hits The Little Theatre this week.

Norris Honeywell (Paul Large) and his partner Jocelyn Polegate (Karen Gordon), a failed novelist, live in a ramshackle old house that belongs to Jocelyn’s brother Mortimer Chalke (Adam Jones) along with her other brother Brinton (David Stevens), a failed painter, and her teenage daughter with Norris Amy (Steph Allured).

There has always been tension between Mortimer, who has written dozens of pieces of music but has never had any performed, and Norris who resents Mortimer’s lording it over the rest of the family.

Tensions are further inflamed when Mortimer announces that he has changed his will and is leaving everything to Wendy Winwood (Nikki Favell), an ex pupil of his.

Most of the comedy comes form Mortimer’s acidic put downs to various family members. While Norris, flapping around like an injured seagull, creates hilarious moments with his stream of consciousness narrative.

Jocelyn, meanwhile, is trying to keep the peace between everyone and also motivate her stroppy teenage daughter, Amy.

Brother Brinton wafts around dreamily declaring his love for Wendy.

Everything gradually winds up and a series of ‘accidents’ point towards someone trying to kill Wendy to prevent her inheriting. A dead body means that ‘it could be any one of us’ who is a murderer.

This is a comedic Country House murder mystery that will have you laughing from the start.

It Could Be Any One Of Us runs at The Little Theatre until Saturday 25^th January

 

www.thelittletheatre.co.uk

https://ptheatre.blogspot.com/ 

Snow White at DeMontfort Hall

 

Review by Paul Towers, 14/12/24

Snow White by Eric Potts & Janice Dunn

Directed by Janice Dunn

Produced by Imagine Theatre Ltd

At DeMontfort Hall until Sunday 5^th January 2025

Panto season is in full swing and this weekend I was at, in my humble opinion, the best that Leicester has to offer with Snow White at DeMontfort Hall.

The start of the run has had a minor hiccup when Gyasi Sheppy, who was playing Prince Laurance, had to pull out due to family issues. Thankfully Leicester favourite Anthony Costa of Blue is able to step in from 17^th December. The Prince’s understudy, choreographer Stuart Rogers, stepped into the breach and, if I am honest, you can’t see the join! It was like he was cast from the start.

So it was with mounting excitement that the sold out auditorium waved their light sticks and munched down on bags of Haribo expectantly.

The ensemble of eight dancers/singers and, as we eventually discovered, puppeteers opened the show backing up the first song from Snow White (Tash Bacarese-Hamilton). However it wasn’t long before the wicked stepmother in the shape of Queen Morgania (the deliciously fiery Divina De Campo) was spitting venom at all and sundry. Including the audience.

Attempting to massage the ego of the Queen was The Spirit of The Mirror (Leicester’s own Sam Bailey) while the court lackies, Nurse Nora (Jack Ballard) and Muddles (Jared Christmas) are torn between obeying the monstrous monarch and protecting Snow White.

These days nobody outside of London can afford to use real dwarves in panto so puppets have replaced them and Abigail Matthews has an effective Seven Dwarves operated by the ensemble.

To further people the village and court there are three Junior Ensembles culled from local schools

Snow White runs at DeMontfort Hall until Sunday 5^th January 2025

https://www.demontforthall.co.uk

https://ptheatre.blogspot.com/ 

Sleeping Beauty

 

Review by Paul Towers, 13/12/24

Sleeping Beauty, devised and directed by John Bale

Musical Direction by Paul Timms, choreography by Caroline Walsh

Produced by Leicester Drama Society

At The Little Theatre until Sunday 5^th January 2025

As we climbed the stairs to the auditorium the noise got louder as a sold out audience of school children bounced up and down in anticipation of the show. It is pantomime time at The Little Theatre, which means Christmas is just round the corner.

This year’s offering, stewarded by John Bale as always, is Sleeping Beauty. The eternal tale of the Princess Aurora (Sophie May), her father King Sat-Upon of Arcadia (Allan Smith in his first panto role) and the trials of navigating a dysfunctional family dynamic.

At the princess’s christening her aunt Carabosse (Olivia Phillips) is missed off the invitation list and she swears a terrible vengeance by cursing the princess to prick her finger and die on her 16^th birthday. This is mitigated by Fairy Fairweather (Rose Bale) so she only has to sleep for 100 years and be awoken by a handsome Prince Rupert (Thom Jones).

To add mirth and mayhem to the mix there is Dame Nanny Night-Nurse (John Bale) in ever more outrageous costumes and her sidekick Tickle the Jester (Russell Webster).

A coterie of six leggy dancers wearing even more glamorous costumes populate the castle.

This production is a very traditional pantomime so expect lots of groaning puns, convoluted rhymes and plenty of songs shoe-horned into the plot. The script includes lots of modern social references and, while very family friendly, there are a few sly gags for the grown ups. Just so they don’t feel left out.

With hissing and booing galore last night’s Pess Night audience had a terrific time.

Sleeping Beauty runs at The Little Theatre until Sunday 5^th January 2025. Tickets are selling fast so don’t delay.

https://thelittletheatre.co.uk/

https://ptheatre.blogspot.com/